{"id":118670,"date":"2025-05-19T15:16:37","date_gmt":"2025-05-19T13:16:37","guid":{"rendered":"https:\/\/cyberfarm.dk\/?post_type=product&#038;p=118670"},"modified":"2026-02-13T12:43:12","modified_gmt":"2026-02-13T11:43:12","slug":"manley-slam-mastering-version","status":"publish","type":"product","link":"https:\/\/cyberfarm.dk\/en\/manley-slam-mastering-version\/","title":{"rendered":"Manley SLAM Mastering Version"},"content":{"rendered":"<div id=\"block-3a9e8135cf34ab63396e\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii=\"{&quot;topLeft&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;topRight&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;bottomLeft&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;bottomRight&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0}}\">\n<div class=\"sqs-block-content\">\n<div class=\"sqs-html-content\">\n<p class=\"\">First off: no microphone preamps. You mastering engineers certainly don&#8217;t need those. The mic pre and input select switch are removed and the switches become dedicated &#8220;mode&#8221; switches one each for the ELOP and the FET limiters.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"block-yui_3_17_2_2_1494440421653_106179\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii=\"{&quot;topLeft&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;topRight&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;bottomLeft&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;bottomRight&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0}}\">\n<div class=\"sqs-block-content\">\n<div class=\"sqs-html-content\">\n<p class=\"\">1) The ELOP limiter gets more Ratios &#8211; 10:1, 5:1, 3:1, 2:1 and something new called AutoHF which starts off as a 1.5:1 ratio and increases gradually to 10:1 for highs. This is something like a de-esser, and of course can work with the ELOP SC toggle at 200Hz for even more effect.<\/p>\n<p class=\"\">2) The FET limiters get new modes that are 50%, NORM, LP Lim, BOTH, and CLIP.<\/p>\n<p class=\"\">The &#8220;50%&#8221; setting mixes in the straight signal to the limited signal which is often difficult to do in a mastering environment and because the FET sidechain &#8216;reads&#8217; off the output, the amount of gain reduction doubles. It resembles halving the FET ratio but is cleaner due to the mix.<\/p>\n<p class=\"\">The &#8220;LP Lim&#8221; setting only comes into play for hot signals and reduces the depth of gain reduction for high freqs. This translates to &#8211; hot signals + moderate gain reduction = brighter, more present signal, less distortion, more balls. This mode allows more high frequencies to pass through without being limited.<\/p>\n<p class=\"\">The &#8220;CLIP&#8221; setting introduces a fixed threshold clipper circuit set up about -2 dB DFS or +18 dBv at the XLR. Within normal usage &#8220;CLIP&#8221; generally prevents outputs from passing beyond +18 dBv, and 97% of the time, clips in a controlled fast-recovery manner before a converter would (in generally a less than desirable sounding way).<\/p>\n<p class=\"\">Finally, the &#8220;BOTH&#8221; setting on the FET limiter engages both the &#8220;LP Limit&#8221; and the &#8220;CLIP&#8221; functions at the same time. This might be appropriate for metal and projects demanding intense volume. The &#8220;BOTH&#8221; mode is designed for situations where extreme processing and loudness is required but where attack, brightness and aggressiveness needs to be preserved or enhanced.<\/p>\n<div id=\"block-yui_3_17_2_2_1494440421653_88140\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii=\"{&quot;topLeft&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;topRight&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;bottomLeft&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;bottomRight&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0}}\">\n<div class=\"sqs-block-content\">\n<div class=\"sqs-html-content\">\n<p class=\"\">3) The LEFT blue erstwhile-&#8220;Limit&#8221; button becomes a master stereo Bypass switch here in the Mastering Version. When it is not engaged, it becomes a true hard-wire bypass (This was not possible on the mic preamp regular version obviously).<\/p>\n<p class=\"\">4) The right Bypass button becomes the Limiter Bypass (tubes &amp; transformers still active).<\/p>\n<p class=\"\">5) The what-was-the-Phantom toggle on the back of the unit becomes the Unbalanced 1\/4&#8243; jack input select in this new mastering version.<\/p>\n<p class=\"\">6) There are no pots on the faceplate of the Mastering Version of the SLAM! All of the knobs in the Mastering Version are discrete detented switches in mostly 1 dB steps, with some appropriate 1\/2 dB and 2 dB steps, right where they should be.<\/p>\n<p class=\"\">More than that, we really like the way it works and sounds and we generally prefer it to the non-mastering version for stereo tracks. There is a lot less fiddling involved to maintain L\/R balances and the new modes are subtle but fun. It is easy to make just about anything sound better.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"block-yui_3_17_2_3_1494376271641_68561\" class=\"sqs-block spacer-block sqs-block-spacer\" data-aspect-ratio=\"3.327495621716287\" data-block-type=\"21\">\n<div id=\"yui_3_17_2_1_1747660726848_175\" class=\"sqs-block-content sqs-intrinsic\"><\/div>\n<\/div>\n<div id=\"block-yui_3_17_2_2_1494440421653_125199\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii=\"{&quot;topLeft&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;topRight&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;bottomLeft&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0},&quot;bottomRight&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;value&quot;:0.0}}\">\n<div class=\"sqs-block-content\">\n<div class=\"sqs-html-content\">\n<h3>SPECIFICATIONS &#8211; MASTERING VERSION<\/h3>\n<ul data-rte-list=\"default\">\n<li>\n<p class=\"\">Input Tubes: 2 x 12AT7A NOS GE specially selected by Manley Labs for lo-noise and stable bias<\/p>\n<\/li>\n<li>\n<p class=\"\">Output Tubes: 2 x 12BH7 (or 6414W NOS USA) dual triodes<\/p>\n<\/li>\n<li>\n<p class=\"\">Balanced XLR Line I\/O: MANLEY IRON\u00ae transformer-coupled Balanced Inputs and Outputs<\/p>\n<\/li>\n<li>\n<p class=\"\">Gain: 20dB max Limiter Gain<\/p>\n<\/li>\n<li>\n<p class=\"\">Input Impedance balanced input XLR combo jack: 2 kOhms<\/p>\n<\/li>\n<li>\n<p class=\"\">Input Impedance unbalanced input 1\/4\u201d combo jack: 10 kOhms<\/p>\n<\/li>\n<li>\n<p class=\"\">FET Limiter: Attack: approx. 100\u03bcS; Release: 10mS to 2Sec; Ratio: better than 20:1<\/p>\n<\/li>\n<li>\n<p class=\"\">ELOP Limiter: Attack: approx. 10mS for 6dB GR; Release: 2.5 Sec; Ratio: 10:1<\/p>\n<\/li>\n<li>\n<p class=\"\">Frequency Response: 5Hz to 60KHz<\/p>\n<\/li>\n<li>\n<p class=\"\">Maximum Output: +32dBm, +30dBm (into 1K\u03a9 load)<\/p>\n<\/li>\n<li>\n<p class=\"\">THD+N: &lt;.05% @ 1KHz<\/p>\n<\/li>\n<li>\n<p class=\"\">Dynamic Range: 115dB typical<\/p>\n<\/li>\n<li>\n<p class=\"\">Output Impedance: 200\u03a9<\/p>\n<\/li>\n<li>\n<p class=\"\">Power Consumption Slam! Analog:<\/p>\n<ul data-rte-list=\"default\">\n<li>\n<p class=\"\">0.480 Amps (480 milliamps = 480mA) @ 120V = 57.6 Watts<\/p>\n<\/li>\n<li>\n<p class=\"\">0.240 Amps (240 milliamps = 240mA) @ 240V = 57.6 Watts<\/p>\n<\/li>\n<\/ul>\n<\/li>\n<li>\n<p class=\"\">Outboard Power Supply: factory set for 100V, 120V or 220-240VAC operation for original destination country&#8217;s mains voltage.<\/p>\n<\/li>\n<li>\n<p class=\"\">Operating Mains Voltage: changeable with power transformer re-wiring via switch and fuse value change.<\/p>\n<\/li>\n<li>\n<p class=\"\">Mains Voltage Frequency: 50~ 60Hz<\/p>\n<\/li>\n<li>\n<p class=\"\">Size: 19\u201d X 12\u201d X 3.5\u201d (occupies 2u)<\/p>\n<\/li>\n<li>\n<p class=\"\">Shipping Weight: 25 lbs.<\/p>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>First off: no microphone preamps. You mastering engineers certainly don&#8217;t need those. The mic pre and input select switch are removed and the switches become dedicated &#8220;mode&#8221; switches one each for the ELOP and the FET limiters. 1) The ELOP limiter gets more Ratios &#8211; 10:1, 5:1, 3:1, 2:1 and something new called AutoHF which [&#8230;]\n","protected":false},"featured_media":118657,"template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"none","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[]},"product_brand":[4230],"product_cat":[1851],"product_tag":[],"class_list":["post-118670","product","type-product","status-publish","has-post-thumbnail","product_brand-manley","product_cat-mastering","first","onbackorder","taxable","shipping-taxable","purchasable","product-type-simple"],"publishpress_future_action":{"enabled":false,"date":"2026-06-11 11:17:29","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"product_tag","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/cyberfarm.dk\/en\/wp-json\/wp\/v2\/product\/118670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cyberfarm.dk\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/cyberfarm.dk\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cyberfarm.dk\/en\/wp-json\/wp\/v2\/media\/118657"}],"wp:attachment":[{"href":"https:\/\/cyberfarm.dk\/en\/wp-json\/wp\/v2\/media?parent=118670"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/cyberfarm.dk\/en\/wp-json\/wp\/v2\/product_brand?post=118670"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/cyberfarm.dk\/en\/wp-json\/wp\/v2\/product_cat?post=118670"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/cyberfarm.dk\/en\/wp-json\/wp\/v2\/product_tag?post=118670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}