Ferrofish Pulse16 DX – 16-Channel AD/DA Converter with Dante, MADI & ADAT
The Ferrofish Pulse16 DX is a professional 16-channel AD/DA converter combining
Dante (64×64), MADI (optical & coax), and four ADAT I/O for seamless routing between analog and digital systems.
Housed in a rugged 1U chassis, Pulse16 DX delivers transparent conversion, ultra-low latency, and a flexible internal matrix—ideal for hybrid studios, live sound, and broadcast facilities.
Key Features
- 16 High-End Converters – 16×16 analog I/O with excellent dynamic range and low THD for pristine capture and playback.
- Dante Audio-over-IP (64×64) – Integrates directly with Dante networks, stageboxes, consoles, and AoIP infrastructures.
- MADI & ADAT Bridges – Coaxial/optical MADI and 4× ADAT I/O make the Pulse16 DX a versatile format converter and routing hub.
- Flexible Routing Matrix – Patch any input to any output internally; create complex splits and folds without external hardware.
- Precision Metering – High-resolution TFT display for clear multi-channel metering and fast configuration.
- 1U Rackmount – Compact, road-ready build for studios, OB vans, and touring rigs.
Technical Specifications
| Analog I/O | 16 × balanced TRS (AD/DA) |
|---|---|
| Digital I/O | Dante 64×64, MADI (optical & coaxial), 4 × ADAT I/O |
| Sample Rates | 44.1 kHz – 192 kHz |
| Dynamic Range | 112 dB (A-weighted) |
| Form Factor | 1U rackmount |
| Display | High-resolution TFT for metering & navigation |
Use Cases & Workflows
- Hybrid Studio Hub – Expand analog inputs/outputs for summing mixers, outboard chains, and headphone systems while bridging Dante, MADI, and ADAT.
- Live Sound & Installation – Tie stage racks, monitor worlds, and front-of-house via audio-over-IP with low latency and reliable clocking.
- Broadcast & OB – Route multi-format I/O between intercoms, DAWs, and consoles in compact 1U infrastructure.
Compatibility & Integration
Works seamlessly with Dante-enabled devices (Yamaha, Allen & Heath, Audinate ecosystem), MADI consoles/interfaces (RME, Lawo, DiGiCo), and ADAT-equipped interfaces (Universal Audio, Focusrite, PreSonus, etc.). Suitable for major DAWs including Pro Tools, Logic Pro, Cubase/Nuendo, Ableton Live, Studio One, and Reaper.
Why Choose the Ferrofish Pulse16 DX?
The Pulse16 DX stands out as a multi-format audio converter that unifies analog, Dante, MADI, and ADAT in a single 1U unit. Its transparent conversion, comprehensive routing matrix, and broadcast-friendly build make it a future-proof backbone for modern production environments.
Ferrofish Pulse16 DX – Frequently Asked Questions
What is the difference between Pulse16, Pulse16 MX, and Pulse16 DX?
Pulse16 provides 16×16 analog & ADAT; Pulse16 MX adds MADI; Pulse16 DX adds both MADI and full Dante 64×64 audio-over-IP, making it the most connected model.
Can I route between Dante, MADI, ADAT, and analog simultaneously?
Yes. The internal matrix lets you patch any source to any destination across Dante, MADI, ADAT, and analog I/O at the same time.
Is the Pulse16 DX suitable for 96 kHz and 192 kHz workflows?
Yes. It supports sample rates from 44.1 kHz up to 192 kHz. Note that channel counts on ADAT are reduced at higher rates (SMUX).
Does it require special software to use Dante?
You’ll use Dante Controller for network routing. The Pulse16 DX appears as a 64×64 device on the Dante network for easy patching.