A Versatile, Modern Class-A Mic Preamp/DI
Available in mono (1/2RU), dual mono (1RU) or with EQ in both mono & dual mono the Phoenix Ascent Mic Preamp/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK’s most heralded vintage designs. Versatility and superior sound have made the Ascent Preamp/DI a top-tier choice for engineers around the world and a modern day classic.
Hi-Fi Transformerless Mic Input Stage
Our exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between. With a very high mic impedance of 10K, it is the perfect companion for ribbon mics and dynamics mic that often need specialist mic pre amps, the Shure SM7B particularly shines.
Legendary Transformer-Balanced Output Stage
Our custom-wound DB694 output transformer is coupled to Phoenix’s proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix’s head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.
Ultra-High Impedance DI Circuit
The Ascent mic pre series include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent’s DI.
Easy and Intuitive In The Studio
Because you’re working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It’s all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you’ll find yourself reaching for the Ascent Mic Preamp/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you’re recording.
Features of Ascent Mic Preamp/DI
- Phoenix Audio’s unique Class A, transformerless, true-balanced mic input stage
- Phoenix Audio’s transformer-balanced DSOP-2 Class-A discrete output stage with custom wound DB694 output transformer
- Wired with PTFE silver plated military grade cable
- -15dB input pad
- LED Gain Metering
- Push buttons: Hi-Pass, Phase Reverse, Switchable 48V phantom power on push-button switch
- High Pass Filter on Push-button Switch (Roll-off -6dB per octave @ 80Hz)
- Phase Reverse on Push-Button Switch
- Mic Pre Gain Range: -30 to -70 in 5dB steps With 10dB more available on the detented ouput fader.
- Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.
- Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
- Frequency response Class A (DSOP-2) output stage: 20Hz to 20kHz +- 0.5dB, Maximum
Phoenix Ascent Gyrator EQs
An EQ As Versatile As It Is Unique
Phoenix Audio’s Ascent Gyrator EQ is one of today’s most unique and musical EQs, allowing an incredible variety of sounds useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class-A circuit saturation. Available either in our remarkable mono or dual mono Class-A Ascent Mic Preamp/DIs in a stereo 1RU unit, the Ascent Gyrator EQ is as powerful as it is fun to use.
4-Bands of Gyration
The Gyrator EQ was first developed during what most consider the golden age of solid-state analog audio design: the 1970s. Originally designed to emulate the characteristics of an active inductor EQ (think Neve, API), the Gyrator EQ uses a rather clever combination of an amplifier, resistors and capacitors to accomplish incredibly smooth and musical frequency modifications. The modern-day Phoenix Ascent Gyrator EQ gives you High, High-Mid, Low-Mid and Low frequency bands, each notched to proven frequencies from a shimmering 25kHz on down to a thumping 40Hz. There’s also a high pass filter at 80Hz, which can eliminate rumble or be used “against” low-end boosts for an extra range of unique EQ curves (think: Pultec). Even at extreme boosts and cuts, the Ascent Gyrator EQ’s uniquely musical filters maintain the core quality of your original signal, allowing you to make bold, gut-level EQ moves that won’t sound harsh, slurred or out of phase. Used more subtly, these four filters are capable of highly coherent tone shaping suitable for full mixes and mastering.
Driving the Output Circuit for More Tone Shaping
Phoenix Audio’s renown DSOP-2 output amplifier, with its custom-wound transformer, is able to deliver everything from ultra-clean signals with abundant headroom to fat, fully saturated tones. By lowering the input attenuator and boosting the output signal, one can drive the DSOP-2 output stage for a wide variety of lush, Class-A saturation. Or, do the opposite—back off on the output while boosting the input—and you’ll get huge, clean, hi-fi tones. Many engineers even use the Ascent Gyrator EQ completely flat in order to simply add the musicality of our proprietary amplifier circuits.
Versatile And Effortless, Day After Day
The Ascent Gyrator EQ is a powerfully versatile, high-quality studio tool. Unlike many Class-A EQs that just do “their thing” due to inherent distortion characteristics, the Ascent Gyrator EQ keeps the input signal clean, making it possible for the engineer to keep tones transparent or saturate them to taste. Importantly, doing so is effortless and intuitive due to the Ascent Gyrator’s straight-forward design and unerring musicality. Those who own this EQ tell us that it quickly becomes their “go to EQ”—used effortlessly every day across a vast variety of instruments, voices and full mixes.
Our new sheen control brings life and vitality to your vocals and instruments by adding a super high freqency boost or cut and adding a sheen.
- 2 formats
- Ascent One EQ – Gyrator EQ with Preamp/DI: Stereo 1RU with our Ascent Series Preamp/DI.
- Ascent Two EQ Gyrator EQ with Preamp/DI: Mono 1/2RU with our Ascent Series Preamp/DI.
- 4 Bands of Gyrator EQ + High-Pass Filter
- High – 15K, 10K, 25K ‘sheen band’ (shelving EQ)
- Hi Mid – 6K, 3K, 1K6 (Bell curve EQ)
- Low Mid – 800Hz, 400Hz, 200Hz (Bell curve EQ)
- Low – 130Hz, 80Hz, 40Hz (shelving EQ)
- High Pass Filter at 80Hz, 12dB/octave
- EQ Cut/Boost Levels
- 16dB Cut/Boost Per Band
- all EQ bands are stepped/detented to 21 positions for easy recall & stereo operations for mastering or the mix bus.
- Phoenix Audio’s Class-A DSOP-2 Output Amplifier with custom-wound transformer.
- 1U half rack space unit: With 240V/110V mains voltage input selector switch (optional 19″ rack kit)
- Class A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.
- Output connections: XLR’s and TRS 1/4″ Jack on rear
- Phoenix Audio’s unique Class A, transformerless, True balanced Mic input stage. Microphone inputs: XLR’s on Front and Rear Panels
- 10K mic impedance for high quality performance with all mic particualry ribbons mics & dynamic mics
- Transformer-balanced Output on each channel: Driven by the Phoenix Audio Class A DSOP-2 fully discrete output stage, each transformer is custom wound.
- Individual Earth Lift: Push-button Switches
- Gain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader.
- Gain reduction: -15dB push-button pad switch (Mic input only)
- High Input Impedance DI: Mono 1/4″ Jack on front panel
- Gain Meter: LED Metering. (Green = 0dB, Red= +8dB, corresponding to “4” and “6” on a PPM Meter).
- Phantom Power: Switchable phantom on Push-button Switche
- High Pass Filter: on Push-button Switch
- Vari-filter control 70hz to 400hz on a 21 postion detented control
- Phase Reverse: on Push-button Switch
- Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
- Frequency Response: DI Input Stage: -0.3dB @ 40Hz, – 0.5dB @ 25kHz
- Typical Headroom: +26dB on Mic-Pre stage
- DI Stage gain: Maximum of 30dB
- Gyratory-based EQ Frequency Centres: (4 Bands) High – 25K 15K, 10K, Hi Mid – 6K, 3K, 1K6, Low Mid – 800Hz, 400Hz, 200Hz, Low – 130Hz, 80Hz, 40Hz
- EQ Cut/Boost Levels: 16dB Cut/Boost Per Band with fully detented pots in 21 positions
- All units are wired with PTFE silver plated military grade cable